Issue 26 | Spring 2022

The Gargoyle of the Notre-Dame Cathedral Paris

Zee Zee

The Gargoyle of the Notre Dame Cathedral art work

Artist Statement

I love the carved images on the early Minoan seal stones. They are inscrutable, grotesque. The Mediterranean is my culture and heritage.

Am I in love with art? Since I have been drawing. I draw on the newspaper or a book page, listening to the kitchen radio, the rainfall. I draw to love, I draw to do, and I draw to hope for. I keep my imagination close to my heart. The real art in life is between hanging on and letting go. I hang on art in life. Is this my gratitude? I believe in life, and art is at its core. One day, I will draw the shape of a heart.

About the Author

Zee ZeeGuliz (Zee Zee) Mutlu is a visual artist, classicist, hispanist and museologist. She earned a masters degree and a PhD at the University of Ankara, Turkey) Her post-doctorate focused on Romanticism and Tenebrismo (Pompeu Fabra University, Spain). As a francophone, she is the author of Les Paroles Saphiques (Les Éditions Apopsix, France, 2011). Including her calligrams, she has been awarded the Prix Renée Vivien (L’Académie Renée Vivien), the Grand Prix de L’Écriture Poétique Francophone (La Société des Poètes et Artistes de France), the Prix Jean Aicard (Les Amis de Jean Aicard), the Prix de la Flore (L’organisation Sauvons la Luzerne) and the UNESCO Nosside World Poetry Mention Prize. Her haiku in English has been published by The Mainichi, Modern Haiku, Frogpond Journal, The Heron’s Nest, and Presence.

2022 highlights include the following awards and honors: Special Recognition for Excellence in Art at the 11th All Women International Art Awards and Exhibition, the Light & Shade Art Prize, and the Talent Prize at the Art Show International Gallery’s 5th Abstract competition and exhibition.

Her artwork has appeared or is forthcoming in Lavender Review, Sapphire Hues Press, Streetlight Magazine, Scapegoat Journal, Aji Magazine, Tenth Street Miscellany, Zoetic Press (Cover Art), Cardinal Sins Journal, Arkana, Penumbra! Literature and Art Journal, Cold Mountain Review, Apricity Magazine, Millennial Pulp Literary Journal, Scapegoat Review, Red Ogre Review, Gigantic Sequins, Pithead Chapel (Cover Art), AROHO Foundation, Straylight Magazine, Gone Lawn Literary Journal (Cover Art), and MAYDAY Magazine.

The Cover of Issue 26.

Prose

The Golden Hops Alberto Ortiz De Zarate, translated by Whitni Battle

The Woman in the Murder House Darlene Eliot

Excerpt from Eva Nara Vidal, translated by Emyr Humphreys

Three Propositions of the White Wind Luna Sicat-Cleto, translated by Bernard Capinpin

Iron Cloud Suzana Stojanović

Buffalo Siamak Vossoughi

The First Ghost I Ever Saw Was Marshall Moore

The Lion Farhad Pirbal, translated by Alana Marie Levinson-LaBrosse and Jiyar Homer

The Good Man James Miller
The Teacher
Woodwork
My Wife Was Drunk at Hobby Lobby

Oranges; Charcoal Michele Kilmer

Ode to Zheka Olga Krause, translated by Grace Sewell

Padre de Familia John Rey Dave Aquino

Excerpt from Dictionary John M. Kuhlman

Gospel of Mary Michael Garcia Bertrand

Poetry

There are No Salvageable Parts Benjamin Niespodziany
Sunday in the Woods

You Is Not the Room Lisa Williams
I Cloud the Moon

Lost Creek Cave Anna B. Sutton

Excerpt from “Hehasnoname” Sharron Hass, translated by Marcela Sulak

Moon Talk Steve Davenport
The Son of a Bitch of Hope After

Cover Art

The Gargoyle of the Notre-Dame Cathedral Paris Zee Zee

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