Issue 5
Latest Reviews
Featured Interview
Newest Essay

bugged

By Laura Bernstein-Machlay

inevitable as poltergeists

in these old buildings

that go on existing despite gravity and entropy

and spontaneous combustion.

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Freezer Theater. 1981

By Laura Bernstein-Machlay

On Cass, I think. Maybe 2nd
beside a boarded-up liquor store.
Underage us nuzzling each
a bottle of fizzy alcoholic something,

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One History of Water

By Mary Carroll-Hackett

involves pilgrims, not the hand-turkey kind, not the brass-buckled blind bulletin board thieves, but travelers, proselytes, seekers, willing to walk over grassy plains, dry for more than thirty years with scant rain, drought forcing out this parade of the thirsty, stumbling due east across the Altiplano toward the blue white peaks of the Andes.

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Dirty Feet

By Mary Carroll-Hackett

and dirty fingernails, angels, ten thousand of them, living in trailers, canned angels, holy meat, languishing in the Carolina heat, driving up from Kinston, and Shelby, and Bear Grass, and Calico, driving in the vans they bought second hand at Car Coop, headed to the ocean, to Buxton, to Avon, to Duck, for a day, for a week, seeking some sun, and some water.

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The Visible Woman

By Mary Carroll-Hackett

As a child, she could make herself invisible, so wrapped she was in dreams of angels in the trees, and aliens in the cornfield, and becoming Houdini, tied up in sheets she shook free from the bed, begging her brother to bind her hands and feet, so she could show him how they would escape.

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Nothing of now has a future except

By Kathleen Jesme

Nothing of now has a future except in memory where it is washed, pressed,

hung and stored, first in the front closet and then, when that show

has closed, further and further back, so that over time

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The border was right

By Kathleen Jesme

The border was right there a river

another source a permeable frontier one without walls

a stone’s throw to a different country although I never threw

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Tonight

By Aaron Shurin

Tonight he is here, surrounded by wreaths of smoke, or he is a coil of smoke on the edge of dispersal, or I am a smoke machine and he is mine…

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Orchid and Butterfly

By Nels Hanson

I’ve read that every human family has

a smell but prefers the odors of other

families to its own. One butterfly in

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Two Rivers

By Nels Hanson

Nights, warm still summer Valley dark

unlit by wary farmers’ mercury lamps

touched so easily, supple second skin

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Barreling Over Can-Do Rooms’ Thresholds

By Gerard Sarnat

i. I dwell in an empty chair fantasy behind a barren desktop

except for vacant page after page on which nothing is unwritten.

After a good night kiss on my cot, I’d wish Father might leave the door

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I Could See…

By Aaron Shurin

I could see calcium going up against the wind, from my desk at my bedroom window as the typewriter clacked like bones… “Bones,” it wrote, “I sound like bones.”

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A Life of Flowers

Padma Prasad is a writer and painter. Her fiction has appeared in Eclectica, The Looseleaf Tea, Reading Hour, ETA Journal, and The Boiler Journal. She blogs her poem drawings at padhma.wordpress.com. Her art is mostly figurative and can be viewed at fineartamerica.com. In her writing, she tries to capture stillness; in her painting, she tries to paint narratives. She lives in Northern Virginia and works as a federal contractor in records management.

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On Special

By Nicola Waldron

We’re inside the old police station, just the two of us, in a room that might once have been a holding area. It’s the right size and shape for a cell. They’ve had to paint the wall, but you can still see the notches; the kicked-in bits.

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Karla

By Kent Monroe

The story we all know has God simply resting on the seventh day, but in my story he spends that day adrift in melancholic contemplation, tracing the face of the Girl Who Killed Her Family on a glowing nebula. Then he weeps inconsolably. Then he vanishes inside a photon and lets it all be.

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Declension

By Nicholas Alexander Hayes

Clumps of wet snow mat the black collar of my houndstooth coat. I clomp my red galoshes in front of the West Campus’s foyer. Gray slush splatters. It stains the coat’s white and black pattern.

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The Edge of the Abyss

By Fernando Vallejo
Translated by Laia García Sánchez & Robert Jackson

When they opened the door for him, he entered without saying hello, went upstairs, crossed the second floor, got to the room in the back, collapsed on the bed and fell into a coma. Like that, free of himself, at the edge of the abyss of death that he would fall over not long afterwards, he spent what I believe were his only days in peace since his long-ago youth.

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Miley Cyrus: Blood & Guts

By Rachel Nagelberg

Miley Cyrus sits cross-legged on the floor of her hotel bedroom, hands resting loosely in her lap, eyes shut to the pulsating exterior world. She is breathing in only with her nostrils, focusing intently on deeper work within.

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Rosenberry

By Steve Weiner

Rosenberry was a bed and breakfast bungalow where Highway 52 came to Wausau in central Wisconsin. It was owned by the late Judge Rosenberry, who engineered the five-day workweek.

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Ask the Hydrangea

By Michael Shou-Yung Shum

I prefer not to show the ocean how I feel deep down. I am very comfortable being close to boulders. Just when the sun starts to get close to me I find myself pulling away.

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Bluebird En Abyme

By Daniel J. Pizappi

The damage wasn’t visible from the street. Sitting on the cool grass, staring back at the house, you might not even know it had happened. This would prove frustrating for the photographers and camera crews.

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39 Hours

By Kyle Hemmings

At night, the city could squeeze him, smother him in a dumb-box, make him believe that marionettes could come to life in mirrors. The city was 39 stories of dead moths with neon wings. The city was masked people trapped inside stucco. Or a basement apartment with a ceiling painted with stars.

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Alibi

By Eugene Lim

I went at the regular time to the karaoke bar to meet Muriel and Gus. The bar, which had several names but usually went by “Alibi,” took up the entire ninth floor of a hastily built structure amidst the dirty neon of one of Diaspora City’s seedier districts.

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The Elephant

By Marianne Villanueva

The elephant’s hide was a beautiful, dark grey. It was a young female: little more than a baby. Zoo officials paid a small fortune to have it shipped from Thailand.

The captain in charge of the cargo had never before transported an exotic. But he was an excellent captain. The shipping line had absolute confidence in his abilities.

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Bind yourself to us with your impossible voice, your voice! sole soother of this vile despair.

—Arthur Rimbaud, “Phrases

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