Issue 33 | Fall 2025
Crow calls from the top of a pine
With a voice made of rain drawn from the deep
grey of another Ohio winter.
You swore you would not let him in again,
but here he is threatening or apologizing,
you can no longer tell the difference.
He cries and cries, and your eyes water
as if you are there in the bird’s throat.
To be of consequence. To be the slow, rising god.
You can almost feel the force of his words,
a cold morning demanding acknowledgment.
The world exists apart from how you feel,
you tell him. You want what you want.
But he’s never listened to anyone.
Some days it’s best not to speak. Some days
all you can do is pull the barbed words
from your own throat, smash them together until
they calcify and turn to stone.
You make as if to throw it at Crow.
He stares stupidly at the corrugated sky.
And so, you put the stone in your pocket
and walk the road among the dendritic trees,
a demon of silence.
You find a body of water and throw
the stone across. Listen to the water’s song.
About the Author
Peter Grandbois is the author of fifteen books, the most recent of which is the novel/novella pairing, Cat People and Dream Memories of the Fifty Foot Woman. He is poetry editor at Boulevard and teaches at Denison University in Ohio. You can find him at www.petergrandbois.com.
Prose
Leeuwenhoek’s Lens
Eric Williams
Cate’s Upstate or Fashion After the Apocalypse
Elisabeth Sheffield
from Cityscape with Sybarites
Israel Bonilla
The End of My Sentence
Roberto Ontiveros
Storing Dinosaurs
Dan Weaver
Winners
Julia Meinwald
Tiered Rejections
Stephen Cicirelli
Brother from Another
Jaryd Porter
The Robinson-Barber Thesis
Joyce Meggett
Point of Comparison
Of the Lovers
Addison Zeller
Another Place
Addy Evenson
Poetry
Let’s Sit on the Bench and Chat
Tatyana Bek, translated by Bita Takrimi
Blueberries
Edward Manzi
Crow calls from the top of a pine.
Crow dreams an eerie peacefulness laced with fear
Peter Grandbois
past is a flame
Karen Earle
Cover Art
Ocean Beach I
Judith Skillman

