We were supposed to pull weeds from the cracks in the blacktop, a punishment that taught you to stoop. Mr. Cavanaugh handed out orange grocery bags that made our palms sweat. “No talking,” he said, pointing at the fence like it was a border, then sat on the bench with his clipboard, tapping his pen in a steady count.
We had planned for this. In our pockets: sunflower, cosmos, zinnia, marigold. Milkweed fluff, Kiki said her grandmother called silk. The seeds came from wherever kids get things—bodega packets, porch planters, the torn corner of a springtime display. Mine came in a paper envelope that promised EASY TO GROW, and I kept it folded in my backpack for weeks, taking it out when I was waiting on the front steps, phone screen dimming, watching cars pass without slowing.
When I pressed my thumb into the crack, the asphalt gave a little. Kiki leaned in and let one drop of grape juice fall, a purple stain that could be anything. Her eyes said now. We pinched, tucked, patted, and kept our faces plain.
Mr. Cavanaugh’s pen stopped.
His gaze slid over us, slow. The seed stuck to my thumb. I lowered my hand to the bag and rubbed it off into the weeds. Then the pen started again, and we breathed.
A week later, the ground began to answer. Green film where our fingers had been. Buds like tiny mouths opening. We watered them from our own cheeks, carrying fountain water and spitting it carefully into the cracks. We didn’t call it anything.
“Who did this?” Ms. Ellis asked, hands on hips. She stood over the sprouts like they were graffiti. “This is not an approved project,” she said.
We shrugged. The pure kind, the kind that keeps its secret.
By late May, there was a laminated sign zip-tied to the fence: DO NOT PLANT IN THE YARD. The letters were all caps, the kind that didn’t have to raise their voice. It didn’t stop anything. Bees came anyway. Other kids asked why the cracks were turning green. The principal stared from her window.
On a Friday, the crossing guard left a watering can by the kickball rack and walked away without looking back.
The plants didn’t stay polite. Ankles, then knees, then yellow faces turning toward the street, pulling your eyes off four-square paint and the faded tetherball circle. Grown-ups found their vocabulary—violation, hazard, mess.
Facilities arrived with weed-whackers on a Tuesday. We were in math when the whine rose and held, high and hungry. Someone raised a hand and asked to use the bathroom.
We went, but not to the bathroom. We pressed our faces to the glass and watched the tall one by the four-square line—the sunflower’s head already heavy—pitch sideways, then vanish in a spray. Yellow stuck to the chain-link. A stem slapped the blacktop. Then it was all shredded green and drifting color and dust.
After detention, we went to the fence. The air smelled sharp and wet. Leaves lay in strips. Kiki knelt, pressed a finger into the soil where the crack widened, and smiled like she’d found what she came for.
“They didn’t get the roots,” she said. “They always miss what’s under.”
We still had more seeds. We had pockets and fountains and time. Summer came, when the building empties and the yard relaxes its rules.
In September a monarch landed on milkweed. Soon there was a striped caterpillar, then a soft jade chrysalis, and we made a circle of shoes and shadows the way people do when they mean to guard something. We stood there through rain and fights and pizza days and permission slips, through everything that supposedly mattered.
When the butterfly came out—wet and ruined-looking, then creased and bright—we were back on weed detail. Mr. Cavanaugh scrolled his phone, his pen quiet in his hand. We tugged at stubborn roots that had survived years of stomping and salt.
“Look,” Kiki said, barely moving her mouth.
It lifted between reminder notices and chain-link, up past the black telephone wire stitching sky to block, and then beyond the rooftops and time itself.
One by one we reached into our pockets: seeds, light as lint, enough to make a new world.
About the Author
Brandon McNeice is a Philadelphia-based writer and educator. His work has appeared or is forthcoming in Commonweal, Plough, SmokeLong Quarterly, Flash Frog, Hunger Mountain, Flyway, Bending Genres, and ONE ART. A two-time Best Small Fictions nominee, he writes about the daily negotiations by which people seek dignity, faith, and decency inside systems that are anything but simple.
