By Robin Arble

“The mischief in Tate and Edson’s poems plays with form as much as content. Already bored with the subversion inherent in the ‘the prose poem’—an oxymoron, a floating stone—their poems straddle the line between verse and prose.”

By Robin Arble

“Nathan is skeptical of the prose poem because he thinks, like many, but not all poets, that the line break is a fundamental element of successful poetry, and any poem that abandons the line break must replace it with something that succeeds in doing everything the line break does.”