Issue 26 | Spring 2022
Moon Talk
Steve Davenport
“I was not sorry, for war talk by men who have been in a war is always interesting; whereas moon talk by a poet who has not been in the moon is likely to be dull.”
—Mark Twain, Life on the Mississippi
Here on the moon things are boring.
Gray as dumbbells or November,
as snow chains or the machete
I forgot at home. Never mind
what alone is like with no doors
and no walls for them. Never mind
how I got here. Here on the moon
even the stars, stripped of story,
flatten the sky. Here on the moon
there are no branches for swinging,
no two roads to choose between. Here
on the moon, dear diary, there’s no
diary. Here on the moon I eat,
I wait, I shit, I sleep. Mostly
I mind my mind. Here on the moon
I keep both moon and before-moon
because here-moon is life without
and before-moon was life among.
Because minding is memory.
Here’s one. It was June or July
and sandlot baseball. We were ten
and technicolor, playing rough lords
of rule out under the hard sun,
inventing scuffle day by day.
And there was this almost blind kid
who stood along the fence and watched.
Or listened. Sometimes he rested
his head on his arms. The fact is
I was right-handed and I swung
the bat that day. It was July
and we were ten or eleven
and I swung hard. Here on the moon
there’s no dear diary and the pull’s
different. Mind is the only book.
I swung at the sun or the moon
and it slipped. The bat slipped. It flew
like a shot bird, a downed missile.
It was July and we were ten
(maybe twelve). The point is, that bat,
it head-slapped the almost blind kid
who waited for things at the fence,
third-base line. I was right-handed,
so that was where the bat flew. Shot.
I don’t know what he waited for
at that fence, why I swung so hard,
except July, the sun, the moon,
machete. The almost blind kid,
he wasn’t supposed to be there.
Someone said that. He went away,
someone said, after that. Gray
like the moon or my machete.
I never heard him talk, not once,
and sometimes life is so boring
it hurts. Here on the moon mind is
the only book. Here on the moon
the dust smells like gunpowder
and I keep my mind best I can.
You could hit a ball a long way
here on the moon. The moon’s like that.
About the Author
Steve Davenport is the author of three poetry collections: Uncontainable Noise (2006), Overpass (2012), and most recently Bruise Songs (Stephen F. Austin State University Press, 2020). His poems, stories, and essays have been anthologized, reprinted, and published in scores of literary magazines. Near misses include a Notable listing in the back of Best American Essays 2007 and a 2011 Pushcart Prize Special Mention in Fiction. He keeps a website at http://gasolinelake.com.
Prose
The Golden Hops Alberto Ortiz De Zarate, translated by Whitni Battle
The Woman in the Murder House Darlene Eliot
Excerpt from Eva Nara Vidal, translated by Emyr Humphreys
Three Propositions of the White Wind Luna Sicat-Cleto, translated by Bernard Capinpin
Iron Cloud Suzana Stojanović
Buffalo Siamak Vossoughi
The First Ghost I Ever Saw Was Marshall Moore
The Lion Farhad Pirbal, translated by Alana Marie Levinson-LaBrosse and Jiyar Homer
The Good Man James Miller
The Teacher
Woodwork
My Wife Was Drunk at Hobby Lobby
Oranges; Charcoal Michele Kilmer
Ode to Zheka Olga Krause, translated by Grace Sewell
Padre de Familia John Rey Dave Aquino
Excerpt from Dictionary John M. Kuhlman
Gospel of Mary Michael Garcia Bertrand
Poetry
There are No Salvageable Parts Benjamin Niespodziany
Sunday in the Woods
You Is Not the Room Lisa Williams
I Cloud the Moon
Lost Creek Cave Anna B. Sutton
Excerpt from “Hehasnoname” Sharron Hass, translated by Marcela Sulak
Moon Talk Steve Davenport
The Son of a Bitch of Hope After