Review by Wally Swist
“before daylight touches the hill the backs of the wild geese:”
If the spiritual maxim about finding what is large in what is small and what is small in what is large can be applied to paul m.’s new book of haiku, witness tree, then “The Big Elm” in the “Agawam Meadows” serves as a metaphor not only for what is perhaps most significant regarding not only m.’s haiku but the art of haiku itself.