Issue 22
Winter 2020
Blast Cap
Andrea Abi-Karam
PART I
ribs pop off/out
fast
NOT like prison
bars raising more like
that fast flash of
blue light when a
fuse blew @ LGA
sky wide for a second
what i thought staring
@ a bomb looks like
as it engages w/ the air
around it
tripwire between the
teeth of a teenager
eyes gold discs
reflect ersatz excess
the shine you have
before the next
dangerous act—
there are so many
i stopped
keeping count
while back
PART II
how when sitting on the ferry
dock—late summer—sun set
on a bench w/ the edges of the sky
beginning to fold in on itself
i just wanted to talk to you + reenter the
skin peeled back revealing our kneecaps
crave for the hyper present-present
it’s 66 on a new york city sunday in january
illicit comfort, a little bold,
a little guilty
leather shorts that share faded-pale legs
a fast breath in the depth of winter
last feb cecilia vicuña said it
hasn’t really snowed since the 80s
i mean
really snowed
& i worried for the birds + insects
held up by translucent wings
steamrolled geodes
whose homes shift + bodies operate
in cued cycles “i’m only happy when
it rains” cued up on the track @ minute 2
of something else easier to dance to let
the pop wash over the crowd & disappear
the distance between shoulder/blades
we won’t solve it tonight
this bass this solvent beat
pumps air beneath
translucent, temporary wings
a little blue, a little purple sheen
& bounces off all of our group glamour
a little silver, a little gold
plastick & chain sticky from
interaction—an attempt to synchronize
in2 one another
as our sweat shares the air
breath escapes from the shadow
of ribs popped out, veiny tears
in translucent wings
About the Author
Andrea Abi-Karam is an arab-american genderqueer punk poet-performer cyborg, writing on the art of killing bros, the intricacies of cyborg bodies, trauma & delayed healing. Their chapbook, THE AFTERMATH (Commune Editions), attempts to queer Fanon’s vision of how poetry fails to inspire revolution. Andrea’s debut, EXTRATRANSMISSION (Kelsey Street Press, 2019), is a poetic critique of the U.S. military’s role in the War on Terror. With Kay Gabriel they are co-editing an anthology of radical trans poetics forthcoming from Nightboat Books in 2020. They are a leo currently obsessed with queer terror and convertibles.