By Janice Worthen
We approach things at angles
because a direct approach is an insult.
An ear is a temple,
anger a bird pulling out its own feathers
on a branch consumed by fire,
despair a fish sinking instead of rising, belly up.
Calling something what it is
by what it’s not
honors its complexity.
We’ve lost our tolerance
for truth’s true form,
for truth itself,
so we declare it doesn’t exist
or can’t be defined.
Now we will reject our own hand
if it bears that name.
Thus, we secure
various outcomes.
Murder is justice,
a whistleblower is a traitor,
war is an action for democracy.
Each not-truth raises a little flag
in a hollow heart.
Our words turn “parasite” into “superior being,”
excuse melting ice, clouded rivers,
cancerous flesh, broken earth.
Our words throw a sheet
over the mirror
so that the form underneath
appears divine.
Janice Worthen lives and writes in the Bay Area of California. She’s a regular contributor to the online news source The Alamedan. Her poetry has appeared in The Rectangle, Switchback, and her poem “Fire Closest Kept” won University of Idaho’s Banks Award. When Janice isn’t writing, she haunts the warehouse of Small Press Distribution as a volunteer.
Issue 2 | Winter 2013
Come Find Me
Emily as a Mango Hitting the Ground